Edited book 2020, with Ross Cole, Matthew Pritchard and Eric Clarke, Remixing music studies: essays in honour of Nicholas Cook. Abingdon: Routledge.
Review 2020, Review of Gowri Nanayakkara’s Performers’ Rights in Sri Lanka: Singer’s Melancholia. [Singapore: Palgrave Macmillan, 2019. ix + 228 pp. Hardback €114.39. ISBN 978-981-13-6667-3.]
Book chapter 2019, ‘Ausübende KünstlerInnen im “Winner-Takes-All” Markt’ [Performers in the Winner-Takes-All Market], book chapter commissioned for the publication 100 Jahre Copyright by the Haus der Kulturen der Welt, Berlin.
Journal article 2019, 'PPL and the management of performers' rights: a story of competing interests', SCRIPTed, 16 (1), pp.4-48.
Blogpost 2019, ‘The new Copyright Directive: fair remuneration in exploitation contracts of authors and performers – Part 1, Articles 18 and 19’, Kluwer Copyright Blog, 15/07/19.
Blogpost 2019, ‘The new Copyright Directive: fair remuneration in exploitation contracts of authors and performers – Part 2, Articles 20-23’, Kluwer Copyright Blog, 1/08/19.
Blogpost 2019, ‘Unwaivable equitable remuneration rights for performers: disruption or balancing of interests?’, Kluwer Copyright Blog, 20/01/19.
Journal article 2018, '"We want artists to be fully and fairly paid for their work"': discourses on fairness in the neoliberal European copyright reform', Journal of Intellectual Property, Information Technology and Electronic Commerce Law JIPITEC, 9 (2).
Book chapter 2018, 'Pioneering the orchestra-owned label: LSO Live in an industry in crisis' in Tina K. Ramnarine, ed.: Global Perspectives on Orchestras: Essays on Collective Creativity and Social Agency, OUP.
Journal article 2018, ‘Distributed ownership in music: between authorship and performance’, Social & Legal Studies, 27 (6), pp.776-798 (published online 2017).
Written interview 2017, 'EU copyright reforms—providing fair compensation for authors and performers', interviewed by Janine Isenegger, LexisPSL, Lexis Nexis, 6/04/17.
Article 2017, Discursos sobre performers en la era digital: la campaña por una internet más justa para performers, Revista Telos, 106.
Review 2015, Review of Matt Stahl’s (2013) Unfree masters: recording artists and the politics of work, Journal of Popular Music Studies 27 (2), pp.235-8.
Journal article 2014, 'Negotiating liveness: technology, economics and the artwork in LSO Live', Music and Letters, 95 (2), pp.251-272.